Monday Musings
Recently caught the film "In the Valley of Elah". It was all well and good, though it devolves into rote police procedural toward the end. That said, I wonder when Iraq War veterans are going to begin challenging the assertion that all soldiers are meth-addicted psychopaths who drown their pets.
I understand that war is hard, and filmmakers are quick to blame it all on their perception of the senselessness of the war, but Hollywood's treatment of our armed servicemen is condescending and insulting. If you perceive me as a person who cannot discern the difference between my only son and an enemy combtant, I could care less about how you derived your conclusion.
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I stand corrected: Barack Obama did give, generously, of his time and money from 2000-2004. It's just that he was too noble to take a tax deduction for it. There is no reason to question this assertion, as his followers certainly are not. Everything about Obama is fantastic and hopeful. I'm embarrassed to even have brought it up.
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Boom!
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Has anyone seen lolcats? Aren't they awesome and funny. I iz in your refriger8or, eatin you cheezburger. Ha, ha, ha... So fun. I'm going to only blog about this from now on.
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So Melodyne, a software company that makes pitch correction software, has invented a technology that can tune a chord. In other words, if you play a collection of varying pitches onto the same track, the software can discern each individual note, and your producer can monkey with the pitch, volume, timbre of that one note. In the past, ProTools and its contemporaries could only handle one pitch per track.
What does this mean for music? Well, given that there is no longer any concrete incentive to get things right, bands will be able to record tracks much more quickly. Timbaland and other star producers can assign the rote pitch correction to lackeys, and essentially rewrite the material once a rought cut is made, exhibit absolute control over the product (get ready for auto-tuned acoustic guitar action) and generally churn out more product. So all pop music will sounds the same.
Your neighbor's garage band will produce a recorded product that is essentially indistinguishable from a seasoned pro group utilizing the same producer. The only variable will be how much lackey time a band can afford to pay for. In the near future, every Minnesota band will be from Wayzata. I can't wait. Thank you, Melodyne.
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And don't get me started on what this means for a cappella. Oh, you weren't? Yeah, probably not, huh?
I will vanquish you Marler!
Um, for the weather, not for Melodyne, which would be absurd.






